David Axelrod - Song of Innocence [1968]

What started out as a jazz/rock experiment throw-away, decades later reveals itself as a lost classic. Along with Miles' work at the time, this was a very early example of the sound that would later become Jazz Fusion. Producer, arranger, and engineer David Axelrod made his mark with Cannonball Adderley, Lou Rawls, and the Electric Prunes. Song of Innocence made critics turn their heads in its day, regarding it as a visionary curiosity piece; today it's simply a great, timeless work of pop art that continues to inspire over four decades after its initial release.

After forming a band with a couple of yer typical garage-rockers of the time, Axelrod signed with Capitol and this masterpiece was his very first release. An instrumental concerto based on the works of William Blake, 'Song of Innocence' is entirely unique: neither Rock, Jazz, Classical, nor Easy Listening, the album blends elements of all four into a richly layered whole. While this may sound like a potentially pretentious train-wreck waiting to happen, nothing could be further from the truth. This is simply one of the most unique musical efforts of the last several decades. Distorted guitars, funky bass lines and drums that were shockingly loud for 1968, blend with churchy organ and symphony-size orchestras on songs like 'Holy Thursday' and the epic closer 'The Mental Traveler.'

"Imagine if Brian Wilson had suddenly decided to turn SMILE into a prototype for Isaac Hayes's soundtrack to SHAFT, and you're halfway there."

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The Gun - The Gun [1968] (1989 Reissue)

Back to it now! Here is one of my favourite ancients (or is it ancient favourites?). This is the debut album from the annoyingly-difficult-to-research band 'The Gun', a relatively obscure group from the U.K. (not to be confused with the other currently active 'Gun' from Scotland.) This one is special to me for a few reasons. Like many others I tracked it down for it's amazing cover art - another of Roger Dean's works, this being his first ever record project if i recall. I'm sure you wouldn't be alone in mistaking it for some mid-80s thrash metal album. It sure is a little darker than his popular later works, none the less, it's one of my favourites of his cover designs.

Little did i know just how incredible the album would actually be. It's a crushingly heavy rock/proto-metal sound (ala Sabbath/Leaf Hound/Iron Butterfly) mixed with a big-time brass backing and the occasionally typical flower-power-like melody (ala moments of 'Love - Forever Changes'). Recorded at just the right time blending both of these incredible sounds, like you could only do in '68. The band's one and only hit 'Race with the Devil' opens the record like a punch in the nose and immediately you know what you're in for. Is this "the" original metal album?

A lost gem for fans of the power trio format, check it out.

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