David Axelrod - Song of Innocence [1968]

What started out as a jazz/rock experiment throw-away, decades later reveals itself as a lost classic. Along with Miles' work at the time, this was a very early example of the sound that would later become Jazz Fusion. Producer, arranger, and engineer David Axelrod made his mark with Cannonball Adderley, Lou Rawls, and the Electric Prunes. Song of Innocence made critics turn their heads in its day, regarding it as a visionary curiosity piece; today it's simply a great, timeless work of pop art that continues to inspire over four decades after its initial release.

After forming a band with a couple of yer typical garage-rockers of the time, Axelrod signed with Capitol and this masterpiece was his very first release. An instrumental concerto based on the works of William Blake, 'Song of Innocence' is entirely unique: neither Rock, Jazz, Classical, nor Easy Listening, the album blends elements of all four into a richly layered whole. While this may sound like a potentially pretentious train-wreck waiting to happen, nothing could be further from the truth. This is simply one of the most unique musical efforts of the last several decades. Distorted guitars, funky bass lines and drums that were shockingly loud for 1968, blend with churchy organ and symphony-size orchestras on songs like 'Holy Thursday' and the epic closer 'The Mental Traveler.'

"Imagine if Brian Wilson had suddenly decided to turn SMILE into a prototype for Isaac Hayes's soundtrack to SHAFT, and you're halfway there."

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Gösta Berlings Saga - Detta Har Hänt [2009]

This one comes as per the request of Anonymous Dave. (how's that for a sweet title?)

Yet another well-hidden gem from the country top-filled with Progressive Rock goodness, of course I'm speaking of Sweden. Three Years after GBS' first heralded release ('Tid Är Ljud') comes this, their sophomore effort. For those who don't know GBS, their sound "ranges from full-blown epic soundscapes via dissonant darkness to minimalistic powerful grooves without compromising when it comes to the strong melodies the band is known for". Strong quote eh? Accurate too.

A slight line-up change in the space between the times, as original guitarist Mathias Danielsson left the band, replaced by Einar Baldursson. Boy can this new guy really play! He has a real Fripp-inspired (Frippsired?) style of playing, often in a rather subtle manner but also in frantic yet sophisticated displays with layers of disharmonic, dissonant escapades. On a whole, this is just classic instrumental prog, awesomely produced and with a quirky RIO/Zeuhl flavour. While their influences are traceable, their sound is still very original and inspired.

To throw a few names out there, think Magma, Gentle Giant, Crimson, as well as modern day groups like Anekdoten & Anglagard. But really this is for most anyone with an interest in challenging, instrumental progressive rock. Recommended.

Try It - Buy It - Myspace

Terje Rypdal - Whenever I Seem To Be Far Away [1974]

Terje Rypdal is a marvelous, fluid guitar player, who manages to sound natural in every setting in which he appears. On this one we get a few radically different styles throughout. First up it's heavy and fuzzed, technically weaving in and out very sparingly and tastfully. Towards the end of the album though is some full-flight Gilmour-like playing, complete with the backing of the Sudfunk Symphony Orchestra.

Pete Knutsen (Electric keyboards and Mellotron) is amazing on this record, reminding me of Ian McDonald.. as if he had come straight out of 'In The Court'. Odd Ulleberg on the French horn also blows a whole lot of awesome! I'm not really familiar with these backing guys but i'm interested in seeking out some of their other works after hearing this.

It's an interesting mix of free jazz and the jazz fusion flavour of the time. The use of Mellotron gives it a unique European symphonic-proggy kinda sound, progressive jazz? I don't know.. tags are stupid but this is great, check it out.

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Titan - A Raining Sun of Light & Love, For You & You & You [2007]

So we now have the incredible NASA astronomy images (seen below) to kill some time, now all we need is a suiting soundtrack to explore the cosmos! This excellent Tee Pee release will do the job just fine. I'll just put this right on out there for you. If you're a fan of the big-time, grandiose, space rock epics.. the extended track lengths, big ass bass, big ass riffs and one hell of an atmosphere then A Raining Sun of Light & Love.. is for you, & you, and yes.. even you! However if by some off chance this ain't your kinda thing.. drop it and walk away now. Come to think of it, what the f*** are you even doing here?

Serious, we're talking the big-time space rock influences here. Hawkwind obviously come to mind first, perhaps even mixed with a little bit of krautrocker's Can. The pounding bass and guitar is reminiscent of some of the desert scene stuff, which is certainly a plus! The production is a little bit murky throughout which might limit repeated listens.. but i guess it's just another one of those ass-kicking, brain-melting records you throw on at that perfect moment.

Another solid Tee Pee gem. These guys have been quiet for a few years now.. heres hoping some new material surfaces sooner rather than later.

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Mouse on the Keys - An Anxious Object [2009]

Once every few days i get in supreme blog trawl mode. One of my regular stop offs is TheSirensSound, which more times than not offers up something fresh for my liking. Last year some time i discovered Mouse on the Keys' Sezession EP and was instantly hooked. "An Anxious Object" has been one of the albums i've had my eye on for a while, big expectations. They've stepped it up even another notch here! The drumming throughout is phenomenal, but i knew that coming in. The second half of the album in particular is mind blowing. The funky 'Double Bind' has one of my favourite beats in a long long time. The drumming + bass here is just awesome. The next track 'Soil' cruises along at a nice pace before unleashing an absolutely incredible extended sax solo, the definitive highlight of the album for me.

One of the sleeper albums of the year for sure. It won't quite be top 5 material for me, but it will be up there somewhere. If you dig some of the other jazzy Japanese post-rock bands like Toe, this is for you.

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Citay - Citay [2006]

Citay's debut album has been spinning madly through my regular rotation lately. While it may be the middle of Winter over here in Australia, Citay unleash the feeling of the finest summer you could ever dream of. This was but another one of the fine San Fran' groups i discovered on the same bill as bands like Sleepy Sun, Assemble Head, etc. Don't get it twisted though, Citay's debut is a whole different animal to those mentioned. Gone is all the Fuzz, gone is all the heavy. Think the epic acoustic side of Zeppelin, maybe something from Zep III.

The sound is rounded out by the Byrds/Beach Boys-like vocal harmony, adding a blissed-out flavor to the blend, and the result is something entirely refreshing. Throw in some lovely flute-work, lush guitar leads and a pair of out of whack bongos - you're in for some pleasant summer listening, regardless of the actual season. Enjoy!

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Sumner Mckane - Two If By Sea [2006]

.. And I'm back again. Decided i would share one of my favourite hidden gems with you folks today. Sumner McKane, the incredibly talented guitarist/composer from Maine has very quietly put together an outstanding body of work over the years, which sadly will probably never receive the attention it truly deserves. His way of playing draws influence from various kinds of Country & Jazz, but he really has his own unique thing going on that i absolutely love!

It's kind of odd to say, but if i had to use a non-musical term to describe Mckane's music it would simply be "home". From the very first moment you hear his amazing chord progressions and layered guitar melodies you immediately feel that "homing" sense of nostalgia throughout. Does that even make sense or am i talking complete shit? Either way, it's incredibly powerful, and very relaxing. Each sound has been very carefully put together by McKane himself, hell he plays every instrument present except the bass.

The production is another one of the selling points here. The effect and reverb pedals are used sparingly, but always tastefully throughout the entire record and add to the wonderful ambience. Over-lapping the fine finger-picking guitar work is the various sounds of bells, waves gently crashing on the rocks and all kinds of things McKane himself likes to describe as "Ambient Americana".

It may take a few listens to sink in but once that lovely nostalgic pull has you, it will draw you in every time!

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Gathiens - Nesh [2009]

I recently discovered this little gem and have been playing it over and over lately. Probably one of my favourite newly discovered artists of the year thus far. Like i have discussed in previous post-rock related posts, it is a dangerous genre. While there are a handful of amazing groups, the genre is ultimately weighed down with a lot of crap. Such is not the case here though.

Originally intended as just a private release for friends and family, Gathiens‘ debut album was written way back in between the spring of 2005 and the summer of 2006, with the majority of it recorded over one weekend down by the beach. After being allowed to gather dust for quite some time, it has finally been brushed off and 2009 sees it receive the proper worldwide release that it so clearly deserves. It is an album that has been lovingly slotted piece by piece into place, like some kind of magnificent sonic jigsaw.

I enjoyed this very much, and if anything it is a little too short. I am itching to hear some new stuff from the band, and rumour has it that it won't be long so keep an eye out. This is one hell of an appetizer!

Link: http://sharebee.com/431735f1

Jean-Luc Ponty - Cosmic Messenger [1979]

As music evolved throughout the 1970s alot of people took on the attitude of the Scientist; experimenting, testing, grafting, surgically recombining to create unique hybrids. Too often these creations were nothing more than ghastly Frankensteins - massive, lumbering assemblages, and all together not quite human. On Cosmic Messenger Jazz, Funk, Rock, and Classical are all expertly and elegantly fused in an amazingly fluid unity. It is a virtouso performance of what's best about music. Rhythm and percussion so tightly bound, laying down thunderous grooves over, around and through which Jean-Luc rockets, gallops, marches, bops, drifts, glides, and floats.

While JLP is clearly in another world when it comes to violinists, the bassist and guitarist heard here are no slouches themselves, and sometimes seemingly steal the show. Amazing album, a must have for your Jazz Fusion collection.

Link: http://sharebee.com/2ef0ad0f

Schicke Führs & Fröhling - Symphonic Pictures [1976]

I know what you're thinking and the answer is no, Al Pacino was not in this band. Stunning resemblance though isn't it? This album is very influential to say the least. If you've heard Anglagard's music, then listen to this record and i'm sure you will agree that SFF had to be a big influence on their sound. Frank Zappa himself was so enthusiastic about this bands sound that he was willing to produce their first album, but ultimately had to drop out to record his own album that was to be recorded at the same time.

Two members of this trio, Schicke and Fröhling, came right out from the ranks of Spektakel, joining forces in order to pursue a more focused kind of music, with one foot in the British symphonic melodic trend and the other in the cosmic realms of krautrock in a most stylish fashion. Once they casually met a young classically trained keyboardist named Gerhard Fürhs, the band was completed right after a common artistic goal had been properly agreed.

The music here is absolutely superb. Think of Novalis or 73-75 Floyd. Think of Moonmadness era Camel. There are also fusion elements, soaring synthetic experimentations and somber ambiences; just a few more ingredients in the band's magnificent sonic melting pot. Enjoy!

Link: http://sharebee.com/be82c4c3

Lotus - Lotus [1974]

The style of this little-known Swedish quartet from the mid-70’s is hard to describe as it escapes most comparisons; the closest would be Finnforest, and perhaps Danish fusion band Secret Oyster. This is fusion at its best: energetic instrumental jazz-rock featuring dual guitars, electric piano/Hammond organ, bass and drums, and stunning musicianship all around. After the release of their second album in 1976, the band split up.

Although the tracks on their first album are rather short, each one is chock full of ideas and beautiful catchy melodies based on tight, 70ish-like jazzy grooves, all charmingly and distinctively Swedish

If you’re a fan of early Zappa or like bands such as Kebnekaise, Camel, Finnforest or Trettioariga Kriget, don’t let Lotus pass you by.

Link: http://sharebee.com/e41ed85a

Mono - Hymn To The Immortal Wind [2009]

Ah, here we are. This is without a doubt one of the most anticipated albums of the year. Just in time for their 10 year anniversary, Mono return with their fifth studio album, the absolutely massive Hymn To The Immortal Wind.

After touring almost non-stop for five years, the band hibernated for over a year to focus solely on writing Hymn. The result is their most thoughtful and eclectic album to date. Written and arranged with a hopeful, romantic narrative in mind, the songs string together like chapters in an epic love story. The music is naturally majestic, with Mono's trademark wall of noise crashing beautifully against the largest chamber orchestra the band has ever enlisted. The instrumentation is vast, incorporating strings, flutes, organ, piano, glockenspiel and tympani into their standard face melting set-up.

Recorded to analog tape with long time friend and producer Steve Albini, there is an intimacy captured here that is at once beautiful and a little terrifying. The creaking of old wooden chairs as the orchestra rocks in their seats (both literally and figuratively), puckered lips rolling along flutes, and even the conductor's opening cue can be heard during the hauntingly quiet opening moments.

This is pretty much the finest example of all things epic, check it out.

Link: http://sharebee.com/6ed8b104

Zombi - Spirit Animal [2009]

So here we go, the first 09 post from what i personally expect to be a fantastic year in music. For years now this Pittsburgh instrumental twosome (collectively known as Zombi) has put out a mesmerizing brand of synth-happy, goblin-esque prog. 'Spirit Animal' for the most part is the same, this time delivering warmer textures and ever more cosmic soundscapes. It all makes up for some delicious retro 70s stuff. With an outpouring of genuine emotion and melody, 'Spirit Animal' gives instrumental music the punch in the gut it needed by blending a genuine sense of warmth and emotion with the darkness the band is heralded for.

The drumming is also great here, as is the elephant on the cover, seemingly bounding through the cosmos. Check this out if you dig Jean Michel Jarre, Novalis or Goblin, or if you're just interested in exploring some great new instrumental stuff.

Link: http://sharebee.com/bd7e5dcf

Sumner McKane - North [2005]

McKane is one of those guitarists who makes it seem simple, but his easy-going fingerstyle on electric and acoustic guitars is deceptive. He's an orchestrator of guitar, creating lush filigree and sometimes searing leads.

For "North", he's assembled a small, sympathetic ensemble of drums, bass and occasionally violin. "Careful it Doesn't Look Safe Yet" is typical, with double acoustic guitars laying down rivulets of sound while McKane's electric fades in and out in phantom sustains. McKane's "day job" is playing in a Country & Western band(don't let that scare you off) and you can hear that influence here in the plaintive fingerstyle picking and pedal-steel-like sustains and bends he brings to his electric guitar.

A friend put me onto this and it has become of my favourites. The music is quiet, slow, lingering and at times almost haunting. Amazing stuff.

Link: http://sharebee.com/2035d5fd

October Equus - October Equus [2006]

Now get this.. they took their name from a pagan festival celebrated in ancient Rome in the middle of October. During the festival, the two groups of people who lived in the city would go to another city and have a chariot race, two horses per chariot. The winning team's fastest horse was then beheaded, and the head put on a pole. The two sides would then violently fight each other to try to get the head. The winning side would go back to the city victoriously and mount the head in the tower or palace, where the skull would remain until they started the festival over the following year. Essential information right?

This is an awesome debut album by a Spanish band that reveals itself as a mature avant-garde prog force. The repertoire is full of sinister motifs and moods, usually with the guitar taking center stage while the keys lay disturbing orchestrations and ambiences (mixing the likes of Univers Zero, Gentle Giant, KC & VDGG.) It is all held together by a rhythm section that moves proficiently through the complex dynamics of all ten tracks.

This group has their second album out this year and i can't actually find it. If anyone could post it in the chatbox or in the comments section for me i'd gladly post it for everyone. Very interested in hearing it after this amazing debut!

Link: http://sharebee.com/31deea93

Ocoai - Breatherman [2008]

So we all know instrumental post-rock is kind of a dangerous topic right? In my opinion a good percentage of anything described as such a thing usually ends up sounding kinda tedious and "samey". In this case, however is a great young band who admittedly, wear their influences on their sleeve, still manage to come up with something very fresh, dark and beautiful. Each track differs in mood and groove, showcasing some pretty amazing stuff. Delayed guitars, ambient sections, even a pretty rad trumpet at one stage. Add all that with the sometimes genre-typical in your face post-metal brutality, and you're in for a real treat.

There were some big time post-rock bands releasing records this year, Ocoai has outdone most of them.

Link: http://sharebee.com/b50118db