Ane Brun + Nina Kinert = Big Time Swoonage

Imaad Wasif

With thanks to my fully blown Tee Pee obsession i was lead to this amazing fello'. I've come to trust the label on music without hesitating or need for further research. Such is the case with the latest Imaad Wasif album. Hardly comparable to any other on the label roster at this moment, Imaad Wasif is more straight-forward rock with dashes of folk.. and the occasional acid-rock freakout (this is Tee Pee after all.)

Blown away as i was with 'The Voidist', i decided to check out his previous 2 albums - each very different from the other. The self titled was a suprise to me, with it's dark and folky atmosphere conjuring up images of Elliott Smith's sparse and haunting compositions. It's good stuff and if anything it displays the versatility of this promising musician. So i pushed forward and checked out his second album, 'Strange Hexes', backed by his band 'Two Part Beast'. Another right turn taken, this one was flat out rockin'. Thick and loud guitar tones painted all over bring to mind the sounds of a modern day Crazy Horse, if there were such a thing. It's rough, it's loud, it's rusty, it's sloppy, and it's totally fucking awesome. These songs could (and do) work very well in an acoustic setting as well, which is just a testament to the music i guess.

Which brings me to the latest release, 'The Voidist', released on Tee Pee Records earlier this month - This is most probably his strongest release to date. It's a really solid medium point balancing out the two previous albums, with some of his best quieter moments, as well as some of his rockiest. It's a great, great album and one of my favourites of the year.

Even though i dropped a few big names, just try give it a spin without being overly comparative. It's good stuff i think. Will be tracking him in the future. Enjoy.

Imaad Wasif - Imaad Wasif [2005]
Try It - Buy It

Imaad Wasif - Strange Hexes [2008]
Try It - Buy It

Imaad Wasif - The Voidist [2009]
Try It - Buy It

Greater California - All The Colors [2009]

I'm back with another uncovered 2009 gem that will probably be one of my favourites come years end. Hailing from the burghs of Long Beach, the band Greater California bring us a whole new distinct sound on their third album 'All The Colors'. It's a summertime landscape likened to the works of Brian Wilson, the Zombies, Harry Nilsson, the Velvet Underground and the Byrds, full of jangly 12-string guitars, rich vocal harmonies, a big bag of percussion, vibraphones and marimbas, a stray trumpet, and the ever inviting sounds of the hammond organ and wurlitzer electric piano.

On board as Producer is none other than Ikey Owens (The Mars Volta, Crystal Antlers.) Also included is an impressive list of guest musicians, most notably percussion genius Steven Hodges of Tom Waits. The new LP is a fixation of growing up from the stories told and listened to along the way, whether through the hills and valleys seen from past road trips or under the soft lights of a coastal downtown; 'All the Colors' can certainly usher in something to smile about.

My current favourite midnight album.

Link: http://sharebee.com/6168a863

Pamela Wyn Shannon - Courting Autumn [2007]

This is the first of a series of four seasonal themed records by the lovely Pamela Wyn Shannon. It's that kind of melancholic folk that breathes with the musky scent of its Irish setting and influences, among them the likes of Nick Drake and Pentangle. Massachusetts-based musician, Pamela Wyn Shannon’s inventive and intricate guitar work has been described as “a tiny chamber orchestra working in unison at the end of her hands.” She has walked with the legends of British and Irish folk music, garnering respect and admiration wherever she goes.

The songs on this album have an elliptical quality which creates its own time frame, rules, and kingdoms, reminiscent of that magic found in UK ’60s psyche-folk artifacts. She recorded it largely on her own throughout New England and has created a rustic almanac of autumnal songs burnished with a melancholy mood, wistful vocals, delicate hand-spun guitar playing, weather-worn and windswept by plaintive string and recorder arrangements.

If you're a fan of Drake, Pentangle, Magna Carta or any of that wonderful early folk/psyche-folk, give this one a go!

Link: Removed as per Request
Purchase: http://www.cdbaby.com/pwshannon2

Hush Arbors - Hush Arbors [2008]

One of the shitty things about doing a best of year list is that you will always discover other fantastic stuff from that year in the following years, such is this. Seeing as groups such as Fleet Foxes, Bon Iver, and Yeasayer helped shape the sound of summertime with their popular psych-washed acoustic folk, it's unsurprising that similar sounding acts have begun to show up in the spaces between.

Hush Arbors, a duo consisting of songwriter Keith Wood (contributor to records by Current 93 and Six Organs Of Admittance, along with many others) and his long-time collaborator Leon Dufficy, have actually been performing a lot longer than any of those acts-- almost a decade, in fact. So it's an ironic yet familiar tale that this recent wave of new music might help bring them belated attention. For those who haven't yet heard the band's delicate, experimental free-folk compositions, Hush Arbors is a great place to start and adroitly encompasses all of the Virginia based duo's most engaging qualities.

Water, mountains, light, and mysterious women give weight to every track, brought to life by the ethereal, unpredictable cascade of sounds that take their place among them. This is a great psych-folk release and when i can be bothered to redo my list, these guys will be there somewhere.

Link: http://sharebee.com/c520127c

Neil Young - On The Beach [1974]

Released in 1974, 'On The Beach' found Young at his most vituperative. His guitarist Danny Whitten and roadie Bruce Berry had overdosed on heroin, his marriage had disintegrated and his son had been diagnosed with cerebral palsy. Most pointedly, there was a black disillusion with the hippy idealism and rewards of superstardom which had sustained him previously.

It's a nasty piece of work. "Good times are coming, but they're sure coming slow," he growls on 'Vampire Blues', one of a clutch of stunted 12-bars where Young's defeatist mood is matched by the torpid, sloppy brilliance of his playing. On the mighty 'Revolution Blues' he assumes the role of a Manson figure, slaying his fellow stars in their canyons. It's the one time on the record he sounds remotely happy.

Initially fans and critics were shocked with this release, as this was the long-awaited studio follow-up to the commercially and critically successful Harvest. Over time it has become one of his most respected works, and with good reason. The bleakness and crude production make for an amazing listening, one of my favourites!

Link: http://sharebee.com/3d3632ee

Magna Carta - Lord of the Ages [1974]

Ah, now this is a fantastic folk-rock record. Magna Carta’s music is largely inspired and influenced by the folk of Simon & Garfunkel, focussing on soft and gentle acoustic music, often with a traditional feel and great vocal harmonies. They were part of the early progressive wave, but without actually fully stepping into the progressive realm. I'd say people only add that prog folk tag after seeing the totally awesome Roger Dean cover (See the pictures on the right hand side of my blog) as well as the nature of some of the lyrics.

"Two Old Friends" is one of my all time favourite songs, you just have to hear it - great writing and absolutely stunning. The title track "Lord of the Ages" is truly Magna Carta's epic. It starts off as soft acoustic piece as the verses are spoken over a beautiful melody, with a haunting sung refrain. The theme is vaguely theological, being based on the Book of Revelations and the musings of Nostrodamus. Book of Revelations? Nostrodamus? How is this not prog!? As the track develops, the serene atmosphere is suddenly broken by a lead guitar burst. This introduces a much harder, rock based section that actually sounds quite like The Beatles at times.

They have another good record called "Seasons", but other than that they would never really reach the high point they hit with "Lord of the Ages". Any lover of folk will appreciate those tracks i mentioned, check it out!

"GATHERING IN THE HARVEST."

Link: http://sharebee.com/7512f9f0